Gautam Singhani

Terrific opportunity! I’ve put the direct application link in the first comment below. #entertainment #tv #television #directing #firsttimedirecting #disneytv #mentoring #professionaldevelopment #networking #scriptedseries #unscriptedseries #opportunity

Post Two in my series explaining who's who on a film shoot, and ever wonder who oversees the entire production process? Meet the Executive Producer. The Executive Producer, or EP, is more senior than a Producer and is the person behind the scenes ensuring a film gets made on time, on budget, and at the highest quality. Here’s what they do: 1️⃣ Secure Funding The EP’s first mission is often to find the money. Whether it’s from studios, investors, or brands, they make sure the project has the financial backing it needs to get off the ground. 2️⃣ Assemble the Team The EP hires the director, key crew members, and often the main cast. They bring together the right mix of talent to make the film or video shine. 3️⃣ Manage the Budget Once the money is secured, the EP keeps a close eye on the budget. They ensure that every penny is spent wisely and that there are no nasty financial surprises during the production. 4️⃣ Creative Oversight While they might not be involved in the day-to-day creative decisions, EPs have the final say on major creative aspects. They're there to ensure the film stays true to its vision and appeals to its target audience. 5️⃣ Problem Solver in Chief Every production hits a snag or two. The EP is the go-to person for solving problems, smoothing over conflicts, and keeping everything on track. 6️⃣ Marketing and Distribution After the film is made, the EP often plays a role in its marketing and distribution. They work to get the film seen by as many people as possible. Of course, roles and responsibilities can vary due to the type of project. In short though, the Executive Producer is the glue that holds the entire production together. They make tough decisions, manage finances, and ensure the project stays on course. I’m clearly biased (because I am one!), but having a strong EP is key to any successful production. Looking to hire an elite production crew to shoot a video for your business? Drop me a message! #VideoProduction #FilmMaking #ExecutiveProducer #ProductionCrew #BehindTheScenes #208Films

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Daniel Bessner’s article in Harper’s Magazine, “The Life and Death of Hollywood,” delves into the profound transformations and challenges facing Hollywood, spotlighting the struggles of film and television writers amidst an evolving industry landscape. The piece highlights how deregulation and corporate consolidation have dramatically altered the business, prioritizing efficiency and profit over creative stability. This shift has left many writers facing precarious working conditions, with diminishing job security and compensation, even as top talent continues to secure lucrative deals. The writers’ guild strikes, while achieving some gains, have not fully countered the deeper systemic issues rooted in the dominance of massive conglomerates and financial firms over the creative aspects of filmmaking. Bessner underscores a significant downturn in the industry’s financial health and a steep decline in employment, suggesting that without substantial intervention, the future of Hollywood and its creative professions could be at risk. The narrative captures a critical moment of crisis and transformation, offering a stark outlook on the sustainability of traditional filmmaking in the face of corporate and financial pressures. But there’s hope… “It seems like buyers are much less adventurous,” one writer said. “Buyers are looking for Friends.” There’s no reason to believe that this type of caution will pay off. The supposed sure shot of IP is currently misfiring: in 2023, Disney’s The Marvels fell more than $64 million short of breaking even, and its Indiana Jones sequel drastically underperformed. The Flash, for Warner Bros. Discovery, lost millions, and the company’s Shazam! Fury of the Gods flopped. (In the case of Barbie—the loudest exception—the writers, Greta Gerwig and Noah Baumbach, were given extraordinary free rein.) As Zack Stentz put it, “Hollywood is based on giving audiences what they might not know. Any attempt to drive risk out of that process is sooner or later doomed to failure.” His words played off an old adage by the screenwriter William Goldman. “Nobody knows anything,” he wrote. “Not one person in the entire motion picture field knows for certain what’s going to work.” But investments in the alchemy of the creative process do not perform well in quarterly reports.” https://lnkd.in/gW3UnW6W

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Why UMG's Acquisition of Downtown Music Might Not Be as Disruptive as It Seems Preservation of Independent Identity While UMG is acquiring Downtown Music, there’s no guarantee they’ll dismantle its independent ethos. Many acquisitions leave operational structures intact, especially when the acquired companies are profitable and well-regarded. It’s likely UMG will prioritize growth and efficiency rather than a heavy-handed overhaul, allowing Downtown’s services to continue benefiting independents. Market Diversification Isn’t Domination Owning tools like CD Baby and Songtrust doesn’t mean UMG will dominate the indie market. Artists and labels choose platforms based on trust, affordability, and effectiveness. If UMG compromises Downtown’s neutrality or raises prices, competitors like DistroKid or TuneCore will quickly fill the gap, maintaining balance in the ecosystem. Opportunities for Innovation UMG’s resources could improve these platforms. Enhanced technology, better global reach, and competitive pricing might emerge under UMG’s ownership. This could empower independent artists and labels rather than hinder them. Indie Market Resilience The indie sector thrives on adaptability and innovation. Consolidation by major players can lead to new entrants and more competition. For every platform acquired, others emerge with fresh approaches and stronger commitments to independence. Checks and Balances Exist Regulatory scrutiny and public perception can influence how UMG operates its new acquisitions. If they exploit their position to harm independents, it could lead to legal challenges or damage their reputation, dissuading artists from using their services. Ownership Doesn’t Equal Control Indie artists and labels aren’t bound to these platforms—they have agency. Many might see the acquisition as a reason to diversify their tools, reducing dependence on any single company. While UMG’s acquisition reflects a broader trend of consolidation, it’s far from a death knell for the independent music world. The strength of the indie sector lies in its diversity, creativity, and resilience—qualities that even the largest corporations struggle to co-opt.

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For those curious about the film, here’s the first trailer.

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🌟 Celebrating Hollywood's Commitment to Safety and Justice As the CEO of DripsyDrown Entertainment, based in Los Angeles, California, William Drown is not only a prominent figure in the film and entertainment industries but also a passionate advocate for social causes. Today, we shine a spotlight on his unwavering support for Meagan's Law and Hollywood's commitment to ensuring safety and protection for all. 🔍 About William Drown: - William Drown spent his formative years in Memphis, Tennessee, and Jonesboro, Arkansas. - He served multiple combat tours in Iraq and Afghanistan,demonstrating courage and resilience. - Now, he channels his energy into the world of film and entertainment, providing access for clients and teams within his company and facilitating placements in other outside projects 🌐 DripsyDrown Films and Meagan's Law: - Meagan's Law is named after Meagan Kanka, a young girl who tragically lost her life due to a sexual predator. The law aims to protect communities by requiring sex offenders to register their information publicly. - DripsyDrown Films, under William Drown's leadership, actively supports the enforcement of Meagan's Law within the Hollywood community. - By raising awareness, advocating for stronger legislation, and fostering a culture of safety, DripsyDrown Films contributes to a safer environment for everyone. 🎬 Taking Action: - DripsyDrown Films collaborates with industry professionals, law enforcement agencies, and community organizations to promote awareness and education. - Through powerful storytelling and impactful films, they shed light on the importance of safety measures and the need to prevent sexual offenses. 🙌 Join the Movement: - Let's stand together in support of Hollywood's commitment to safety and justice. - Share this post to spread awareness and encourage positive change. - Remember, safety is everyone's responsibility, both on and off the screen. 📸 Photo:*William Drown, CEO of DripsyDrown Entertainment #SafetyFirst #MeagansLaw #HollywoodSupportsSafety --- Connect with William Drown on [LinkedIn](https://lnkd.in/dxveYb-r Learn more about DripsyDrown Entertainment on [IMDb](https://lnkd.in/dKb2cnH9 --- *Disclaimer: This post is for informational purposes only and does not constitute legal advice. Please consult legal professionals for specific guidance on Meagan's Law and related matters.  ¹: [William Drown - IMDb](https://lnkd.in/deH9rTi4) Source: Conversation with Bing, 5/7/2024 (1) William Drown - IMDb. https://lnkd.in/deH9rTi4. (2) William Drown - Biography - IMDb. https://lnkd.in/dg6X-bWx. (3) @williamdrown | Linktree. https://lnkd.in/dc87py-Z. (4) DripsyDrown entertainment | Los Angeles CA - Facebook. https://lnkd.in/deARevWv.

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To Catch a Killer All Secrets Must Come to Light #CrescentCity Official Trailer produced by #Clever_Caboose with #TerritoryStudios for #Grindstone #Lionsgate drops exclusively today on #Collider. (Posted 7/12/24) Have you visited our website? Check out: clever-caboose.com #movietrailers #filmdistribution #filmmarketing #entertainment #entertainmentmarketing #entertainmentindustry #entertainmentnews

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BBC AMCerica I’ve gotten a LOT of questions on this website about this transaction. “AMC Networks has acquired full control of BBC America, its joint venture with BBC Studios.” https://lnkd.in/eh8nvSWy This is a pretty easy one to suss - and a crystal clear indication of two companies going in two VERY different directions… AMC is still controlled by OG Cable TV royalty, the Dolan family. Their CEO is Kristin Dolan. They are tripling down on what they know: Cable TV. Yes, it’s a dying business, but BBCA still spins off cash from affiliate fees and advertising, and, up until now AMCN only got 49.9% of the fruits of their labor. Additionally, this deal eliminates substantial long term contractual and financial obligations AMC has had to BBC Studios. Considering the immediate upside, and what they paid for the first half ($200 mil), $42 mil ain’t a bad price to pay. BBC Studios is the for-profit arm of BBC. They recently acquired BritBox International. As BBC Studios Media CEO Rebecca Glashow said, they are “expanding and diversifying our market presence in the U.S,” aka focusing on content arms-dealing and solidifying their streaming business. Thus, the influx of cash, as well as the divorce of exclusivity to BBCA, makes a ton of dollars and cents. Happy to answer more questions in the chat. But this one is not a complicated puzzle to piece together.

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Career Producers are the champions before, during, and after the film is in the can. The fact that they work with no pay for so long is insane, as is the fact there's no health benefits being paid. I've worked with some of these producers. Why does it always come down to PAY YOUR PEOPLE? #filmmaking #producers #screenwriting https://lnkd.in/etTG-Myk

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Are record labels still relevant today? 🧐 Absolutely, record labels still hold significance in the music industry today, even with the massive shift toward digital platforms that empower artists to go independent. Here's the scoop: record labels bring a level of financial backing and professional expertise that can be crucial for artists looking to scale their careers quickly. They offer substantial resources like marketing, production funding, and industry connections that might not be as accessible independently. But let's not ignore the elephant in the room! The role of labels is evolving because now artists can directly reach their audience through social media and streaming services. This shakes up the traditional label model and forces them to adapt to provide value that aligns with the modern digital landscape. So what does this mean for aspiring musicians? Here are some key insights: 1. Labels still have a lot to offer: Despite being able to self-promote online, having a label behind you means access to wider networks and established relationships within the industry. → think more exposure opportunities! 2. Financial support matters: Let's face it - making it big in music requires money. Labels can provide funding for album production, marketing campaigns, tours, and other expenses that may strain an independent artist's budget. 3. Industry know-how at your fingertips: Record labels have been around for decades; they've seen trends come and go. Their experience helps guide artists on everything from song selection to tour planning – invaluable knowledge when navigating such a competitive field. 4. Independence is empowering but challenging: Being your own boss sounds fantastic until you realize all tasks fall on your shoulders -> from promotion strategies to negotiating contracts. Labels help shoulder these responsibilities so artists can focus primarily on creating great music! 5. Collaboration opportunities abound: Working with fellow talented musicians signed under the same label opens doors for exciting collaborations think crossover hits or joint tours that can expand your fan base and keep things fresh creatively. In conclusion, record labels still play a pivotal role in the music industry. They offer support, resources, and expertise that can accelerate an artist's career growth. However, it's essential for labels to adapt to the changing landscape by embracing digital platforms and finding innovative ways to provide value. #MusicIndustry #RecordLabels #DigitalShift #ArtistDevelopment

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This is the coolest; editing & mixing a show with a host interviewing a podcast host! Maria sits down with Isa Nakazawa, the host of "Stars and Stars with Isa" to discuss how we are in charge of our own lives and destinies and how we can use astrology to enhance and understand ourselves more than ever in this changing world.  https://lnkd.in/gFyABsMu

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Do you want your own category section on a streaming service? Do you have a video podcast, a tv series, an influencer channel, comedy or music videos, class you are teaching, etc...? ElevationMovies.com just may be the place for you! PM to find out how to make it happen! #stream #streamer #streaming #streamingnow #comedy #comedian #podcast #musician #music #band #ElevationMovies

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This post sheds light on the challenges faced in securing union protections for animation writers, fair compensation for writer-producers, and comprehensive coverage for made-for-new-media programs, as highlighted by the WGA East. The unresolved issue of residual payments for reuse on streaming services adds to the complexity of the situation. Drawing from firsthand experience as a former Producer for a PBS kids series, I understand the intricacies of managing writer contracts and hiring the Head Writer/Show Runner. My approach involves sourcing talented writers globally, even those not affiliated with the WGA. Noteworthy writers from our series, who emerged from the Fred Rogers Writers Program, exemplify exceptional skills despite lacking WGA membership or agents. To advocate for fairness, implementing a "Favored Nations" clause is crucial to ensure all writers receive equitable compensation, irrespective of union affiliation. I strongly support either full unionization or non-union status for shows. The Animation union's strict guidelines underscore the importance of clarity in production practices to avoid penalties or expulsion. Embracing a global talent pool for writers enriches the show's vision and audience appeal. Analyzing streaming data reveals the international reach of our content, emphasizing the need for writers to mirror our diverse audience. Prioritizing writers' demands is essential for PBS to uphold its values and navigate the evolving socio-political landscape. Addressing loopholes that could compromise writers' rights is vital for enhancing taxpayer-supported productions. Let's approach these challenges with a dedication to fairness and professionalism, establishing a model of inclusive and ethical production practices that benefit all involved. #WritersRights #FairCompensation #StopExploitation

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All use of AI-generated Art (any kind) should be labelled as such. Let's start by calling it AI-Viz (instead of AI Art) and have a disclaimer saying "This documentary uses AI to visualize people and events" (in which case it ceases to be a documentary in its truest form).

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Any nyc based sound engineers ( certified or with proven experience ) interested in recording projects with young adults (18-25) who are impacted by the criminal justice system ? This is on a voluntary basis and monthly . Heading towards major funding. I have been doing this alone and with other industry faces for almost a year. My program has actually grown and I need to think larger or end the progrogram cause I can’t afford to run it alone at this point and I am not a fan of government funding as I see how it folds CBO’s who aren’t willing to over achieve. What I do : I find people with profitable skill sets they can teach to the younger generation. Purpose: to give those coming up purpose via education that’s not controlled systemically and with proven skill sets that open entrepreneurial ventures and learning paths as well as mentorship’s . Money for me is not a concern per say. The focus is the you get generation needing to know the shoes the rest of us have walked in instead of the younger ones having to walk the same path.

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